UPCOMING WORKSHOPS
Oral history and journalism were once described as "kissing cousins" by journalist Mark Feldstein, but how, exactly are they related? What lives at the intersection of these two sets of best practices, and how does the ambidextrous oral history-journalist trouble though moments when the practices diverge?
Working with oral history values/strategies alongside journalistic constraints can give rise to a new sensibility or sensibilities. We'll use oral history exercises/ training together with our collective momentum as reporters, documentarians and longform nonfiction writers to encourage more curiosity, play, collaboration and innovation without compromising rigor or loyalty to our respective realms. Sessions will take the forms of mini-presentations, interactive exercises, case studies, Read more here . . .
PAST WORKSHOPS
In this three-and-a-half day workshop, participants will learn the tools and techniques of oral history and consider together the many possible uses for oral history in our Hudson area communities: family/ history, community organizing, creating counternarratives, intergenerational relationship-building and envisioning collective futures. Read more here…
Come all ye budding oral historians, radio documentarians, writers, filmmakers, media advocates, and photographers who wish to make use of oral history in your practices. This immersive upstate New York workshop is a rigorous introduction to the field of oral history. Read more here…
Narrator-led. Emotional range. Shared authority. Prominent silence. Unscripted language. Tangents welcome. These are some of the characteristics of oral histories, and also some of the qualities producer/editor Sarah Geis believes make podcasts that buzz with life. Read more here…
This workshop is designed for educators who want to bring oral history into their classrooms and learning spaces. We’ll begin with a rigorous introduction to oral history theory, methods and practice before reviewing existing curricula and projects as a jumping off place to design our own curricula/projects. Read more here…
For many of us, family is the obvious—and sometimes most complicated—place to start our work as oral historians. In this workshop, participants will learn how to use oral history to document and preserve their family stories. We’ll discuss common challenges: convincing your family to participate, delving into sensitive subjects and secrets, and working with interviewees who may suffer from memory loss. We’ll also discuss the potential for oral history to repair and transform relationships. Read more here…
This third hop-on session in our series of short-form online workshops will focus on field-work: how to get into the field of oral history and how to sustain a life of “fieldwork.” Come hear from Oral History Summer School Founder/Director Suzanne Snider along with colleagues Meral Agish, Sady Sullivan and others about ways to train, network, budget, earn income and sustain your oral history practice and values.
How/where does a newly trained oral historian find work? What kinds of jobs exist within the larger project of oral history? How much should/can you charge as an interviewer-for-hire? Read More….
From the oral historian that piloted the Talking White: Transcribing Black Voices workshop, comes a new workshop geared towards making unique transcription style guides that cater to your own project's needs. As always, the goal with oral history transcription is producing a useful document that honors our narrators and the intricacies of their speech. In this all-day virtual yet hands-on workshop, you'll receive a first hand step-by-step look at how the Margaret Walker Center Oral History Transcription Style Guide was created to do just this. Read more…
Project Design is a dynamic phase of oral history practice, giving oral historians a chance to discipline their thinking, address ethical challenges, identify sites for potential collaboration, assess their resources, define “success,” and brainstorm potential future uses beyond the archive. Read more here…
We are pleased to announce an upcoming public panel event on Sunday, December 17 (12 PM - 1:30 PM) as part of our longer 3-day workshop, The Oral History Manuscript: Writing from Oral History. Read more here…
Oral history excels at complicating the narrative. How can we preserve and deliver these complex narratives when moving from speech to print? How can we make adequate space for our narrators’ voices and our own (authorial) voice? What does it mean to write in first person with someone else’s words? What is an oral history book? Read more here…
Join Oral History Summer School for its second short-form online workshop in a new workshop sequence we're offering throughout 2023-24. This time around, we'll bring our famous Listening Exercises to participants. Come learn about listening and yourself in a fully interactive session. Read more here…
This two-day hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the two-day workshop, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Read more…
In this virtual song collection workshop, Oral History Summer School Director Suzanne Snider will guide participants through an exploration of historic and contemporary song collection practices before inviting participants to try them out in a supportive environment. This workshop involves presentation, discussion and practice (Yes, maybe a little singing!) with an emphasis on coming together to tell stories. Snider will discuss the ways that song collection can be an especially powerful invitation for the very young, the very old, for those dealing with memory loss and/or brain injuries… Read more…
[VIDEO RECORDING OF WORKSHOP AVAILABLE]: Oral History Summer School’s tagline is ‘Ask Better Questions,’ but how do we do this and what makes a question “good” or “bad”? In this focused workshop, we will explore questions as a cornerstone of oral history practice, specifically looking at how we can radically change relationships, archives, documentary film projects, parenting, medical practice and more by….Read More
Oral History Summer School is back in session for our second Oral History Intensive in Residence at Sylvan Motor Lodge. Come all ye budding oral historians, media makers, advocates and others who wish to make of use of oral history in your practices. This immersive upstate New York workshop is a rigorous introduction to the field of oral history. Over the course of 4 days, we’ll cover interview techniques, project design, and recording tutorials, plus sessions dedicated to ethics, trauma, advocacy, archives, and other related topics. Read more…
Oral History Summer School is back in session—this time in Portland, ME—at Salt Institute for Documentary Studies. Come all ye budding oral historians, media makers, advocates and others who wish to make of use of oral history in your practices. This immersive upstate New York workshop is a rigorous introduction to the field of oral history. Over the course of 4 days, we’ll cover interview techniques, project design, and recording tutorials, plus sessions dedicated to ethics, trauma, advocacy, archives, and other related topics. Read more…
Oral History Summer School is back in session with our first in-person workshop since the pandemic. Come all ye budding oral historians, media makers, advocates and others who wish to make of use of oral history in your practices. This immersive upstate New York workshop is a rigorous introduction to the field of oral history. Over the course of 4 days, we’ll cover interview techniques, project design, and recording tutorials, plus sessions dedicated to ethics, trauma, advocacy, archives, and other related topics. Read more…
In this specialized Project Design workshop, OHSS director and founder Suzanne Snider will train a project team from Middlebury College and Kolot Chayeinu for an oral history project of Kolot Chayeinu, a non-denominational Jewish congregation in Brooklyn, NY. This day-long training includes mini-presentations, conversation, small group exercises, and supportive “lab time” during which participants will work with Project Design prompts and workshop their ideas-in-progress for feedback. Read more…
This two-day hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the two-day workshop, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Read More…
Alissa Rae Funderburk will be presenting "Talking White," a workshop that explores useful concepts in the transcription of oral history to help us more accurately portray the voice of our narrators. The English language is inextricably linked to a history of colonialism and has been used in America to delegitimize the voices and agency of Black people. Read more…
This two-day hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the two-day workshop, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Read More…
This mini-intensive is based on our popular foundational workshop––covering oral history theory, methods and practice––but is designed more specifically to support training among colleagues and collaborators who wish to directly apply the training during the workshop, and to establish networks among organizations approaching common questions. Read more…
This two-day hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the two-day workshop, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Read more…
Instructors: Suzanne Snider + Guest Instructors Nichole Canuso, Sarita Daftary, Alissa Rae Funderburk
Come all ye budding oral historians, artists, advocates, and researchers who wish to make use of oral history in your practices. This immersive summer workshop is a rigorous introduction to the field of Oral History. Over the course of ten days, we’ll cover interview techniques, project design, recording tutorials for online and in-person recording, and ethics, along with special topics related to the field. Read more.
This two-day hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the weekend, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Read more.
Join us for our first 5-day foundational training! We’re excited to bring this work to a new location (Portland, Maine) in partnership/collaboration with the audio production company Future Projects (Josie Holtzman, Isaac Kestenbaum) at their Portland studio. This workshop will cover ethics, interview techniques and recording tutorials as well as sessions on memory, trauma, project design and archives…Read More
Come all ye budding oral historians, artists, advocates, and researchers who wish to make of use of oral history in your practices. This immersive summer workshop is a rigorous introduction to the field of Oral History. Over the course of ten days, we’ll cover interview techniques, project design, recording tutorials, and ethics, along with special topics related to the field. This is a great opportunity to jump-start a project in a supportive environment… Read More
We invite you and your kiddo(s) to experience listening, sounding, moving, imagining, composing, and dreaming together during this 4-session experiment in intergenerational Deep Listening. Deep Listening® is an evolving practice founded by avant garde composer Pauline Oliveros: through playful, body-affirming awareness exercises and sonic meditations we will tune in to ourselves and the planet and have fun…Read more.
Sady Sullivan in collaboration with Oral History Summer School invites you and your kiddo(s) to experience listening, sounding, moving, imagining, composing, and dreaming together during this 4-session experiment in intergenerational Deep Listening. Deep Listening® is an evolving practice founded by avant garde composer Pauline Oliveros: through playful, body-affirming awareness exercises and sonic meditations we will tune in to ourselves and the planet and have fun.
Neurodiversity celebrated - Sensory friendly
Tuesdays & Thursdays in May via Zoom
May 21 3pm - 4pm ET
May 26 3pm - 4pm ET
May 28 3pm - 4pm ET
June 2 3pm - 4pm ET……..Read More Here…
Oral History, a Queer Art will follow the course of our usual immersive workshops by offering foundational oral history training--theory, method, practice-- while inviting exploration into the way that oral history values and theory are arguably queer and/or well-positioned to support emergent complex queer narratives. This workshop will also seize upon the history and abundance of queer oral history projects, approaching this canon as both case study of insider history and as inspiration for new projects ….. Read More
Instructors: Suzanne Snider
Location: Verso Books Loft 20 Jay Street, Suite 1010, Brooklyn, New York
Tuition: Sliding Scale (See Below), $325 - $525.
This hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the weekend, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Come all ye documentarians, journalists, artists, media-makers, educators and those looking to learn new things in good company. No experience necessary. . . . Read More
Instructors: Suzanne Snider
Location: Solaris, 360 Warren Street, Hudson, New York
Tuition: $850 + $25 materials fee
In this writing and oral history workshop, students experiment with a range of literary forms that use oral history as both source material and text. Monologues, oral narratives, documentary theater, and oral tone poetry are among the traditions already defined at the intersection of writing and oral history. We'll explore these known traditions (and/or invent our own) dividing our days between discussions, writing exercises, screenings, select readings and optional workshop time.
Oral history excels at complicating the narrative. How can writers preserve and deliver the same complexity? How can we....Read More»»
Instructors: Suzanne Snider with guest instructor Todd Shalom
Location: Solaris, 360 Warren Street, Hudson, New York
Tuition: $1375 + $25 materials fee
Come all ye budding oral historians, artists, advocates, and researchers who wish to make of use of oral history in your practices. This immersive summer workshop is a rigorous introduction to the field of Oral History. Over the course of twelve days, we’ll cover interview techniques, project design, recording tutorials, and ethics, along with special topics related to the field. This is a great opportunity to jump-start a project in a supportive environment, or to get this training under your belt for future projects with the benefit of deadlines and critique. Participants will be conducting interviews throughout the week. No experience necessary. This year's workshop will include special sessions on .......Read More
Oral History Intensive Workshop with Suzanne Snider
Location: University of Chicago, Art History Department
Instructor: Suzanne Snider
This workshop is closed to registration
The interview is an increasingly common mode of art historical research. Conversations with artists, studio assistants, curators, conservators, and technical or materials experts are a crucial complement to textual and object-based research, particularly when investigating recent histories and marginalized practices. Whether we publish these interviews as standalone texts or as evidence in our dissertations, books, and articles, we are contributing to a new historical record. The prevalence of this practice stands in stark contrast to the absence of practical training and best practices for conducting oral history interviews, as well as a lack of conceptual inquiry into the interview as a form.
As part of the Art History department’s student-run series Speaking of Art: Artist Interviews in Scholarship and Practice, Suzanne Snider, founder/director of Oral History Summer School, will be leading an Oral History Intensive Workshop in April 2019…..Read More, here
WORKSHOP: Oral History: Research, Revision, Collaboration, Transformation
Instructor: Suzanne Snider
Location: Harvard Graduate School of Design
Please note: This workshop is closed to registration
This workshop will serve to continue the evening presentation of 3/25, offering an interactive, hands-on introduction to oral history as an ethical interview practice through a series of short exercises and prompts. What makes oral history different from other interview styles and traditions and how might we apply these best practices in our lives and work? Oral History Summer School founder/director Suzanne Snider will guide participants through concepts and exercises seeking to integrate ideas—in the act of conversation––from fields including psychoanalysis, trauma studies, feminist theory, and disability studies. We will honor a range of motives, including but not limited to: organizing, amending the record, creating persuasive media and brokering difficult conversations.
Instructors: Suzanne Snider
Location: Verso Books Loft 20 Jay Street, Suite 1010, Brooklyn, New York
Tuition: Sliding Scale, $350 - $525. Registration opens January 28
This hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the weekend, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Come all ye documentarians, journalists, artists, media-makers, educators and those looking to learn new things in good company! No experience necessary. Read more about the workshop and sliding scale structure, here….
This workshop is designed for educators who want to bring oral history into their classrooms or learning spaces. We’ll begin with a rigorous introduction to oral history theory, methods and practice before reviewing existing curricula as a jumping off place to design our own.
We’ll think about how oral history’s best practices dovetail with our learning objectives, seizing upon the field’s potential to support active listening, ethical documentary practice along with considerations of: primary sources, myth, memory, the archive as a future history, silence, talking across difference, problem solving, shared authority, collaborative analysis and historiography…..Read More
*photo by Walter Hergt
For many of us, family is the obvious—and sometimes most complicated—place to start our work as oral historians. In this workshop, participants will learn how to use oral history to document and preserve their family stories. We’ll discuss common challenges: convincing your family to participate, delving into sensitive subjects and secrets, and working with interviewees who may suffer from memory loss...Read More
This creative writing workshop investigates traumatic experience and memory through poetry and storytelling. Together, we will read and discuss poems from a wide range of combat veteran poets, such as Wilfred Owen, Yusef Komunyakaa, and Brian Turner. Participants will compose original poems that investigate experience and memory as a vehicle for addressing, understanding, and healing from trauma.
In the afternoon, participants will expand their writing through physical movement and expression. Read More, here
Instructors: Suzanne Snider
Location: Verso Books Loft 20 Jay Street, Suite 1010, Brooklyn, New York
Tuition: Sliding Scale. Read more, here
This hands-on workshop — open to all — is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the weekend, we’ll address interview techniques, recording tutorials, ethics, memory, trauma, annotation and experimental outcomes. Come all ye documentarians, journalists, artists, media-makers, educators and those looking to learn new things in good company! No experience necessary. Read More, here
Instructors: Suzanne Snider with guest instructors Ry Garcia-Sampson and Daniel Cogan. Additional collaborators tba
Location: Solaris, 360 Warren Street, Hudson, New York
Tuition: $1500*
Come all ye budding oral historians, artists, advocates, and researchers who wish to make of use of oral history in your practices. This immersive summer workshop is a rigorous introduction to the field of Oral History. Over the course of twelve days, we’ll cover interview techniques, project design, recording tutorials, and ethics, along with special topics related to the field. This is a great opportunity to jump-start a project in a supportive environment, or to get this training under your belt for future projects with the benefit of deadlines and critique. Participants will be conducting interviews throughout the week. No experience necessary. This year's workshop will include special sessions on 'Oral History & Care,' as led by MD/MPH candidate Ry Garcia-Sampson (Improving Health and Healthcare: A Trans Oral History Project) and Palliative Care.......Read More
In this special workshop for teachers working with children ages three to five, we will explore the relationship between oral history best practices and pedagogical ideals in the early childhood classroom. Specifically, we'll emphasize the use of listening, open-ended questions, and silence.
How can oral history training help us to identify our strengths, weaknesses, and preferences as speakers and as listeners? How can we respectfully inhabit our role as teacher/interviewer, using our questions to invite mutual exploration and greater understanding?.....Read More
This two-part workshop covers the fundamental theories and practices of oral history through mini-presentations, exercises and group discussion. Woven into our topical discussions––of ethics, motives, power, individual/collective memory and trauma––will be instruction on Project Design and methodology, including technical tutorials around recording and preserving interviews. We will discuss oral history as a possible form of ....Read More
This immersive one-day oral history training weaves together methodology, practice, archiving, ethics and a short presentation on experimental outcomes and multimedia projects rooted in oral history.
*This workshop was organized in collaboration with Vassar Refugee Solidarity and Creative Arts Across Disciplines
This immersive workshop is a rigorous introduction to the field of oral history, organized in collaboration with the National Public Housing Museum as part of an effort to establish an aural history/future of public housing in the voices of public housing residents and housing community members.
Over the course of 8 days, we’ll cover interview techniques, project design, and recording tutorials, plus sessions dedicated to ethics, trauma, advocacy, archives, and other special topics. Participants will be conducting interviews throughout the week. With our focus on oral history, public housing and the emergent museum. Read More....
Instructors: Suzanne Snider and guest instructors Sarita Daftary (El Puente) and Walis Johnson (Red Line Archive)
Come all ye budding oral historians, media makers, advocates and others who wish to make of use of oral history in your practices. This immersive Hudson workshop is a rigorous introduction to the field of oral history. Over the course of 8 days, we’ll cover interview techniques, project design, and recording tutorials, plus sessions dedicated to ethics, trauma, advocacy, archives, and other related topics. This workshop is ...Read More
A collaboration between Oral History Summer School and the Institute of Early Childhood Pedagogy in the Hudson River Valley
In this collaborative work group, Oral History Summer School and area educators (Institute of Early Childhood Pedagogy in the Hudson River Valley) will explore the relationship between oral history best practices and pedagogical ideals in the early childhood classroom.....Read More
For many of us, family is the obvious—and sometimes most complicated—place to start our work as oral historians. In this workshop, participants will learn how to use oral history to document and preserve their family stories. We’ll discuss common challenges: convincing your family to participate, delving into sensitive subjects and secrets, and working with interviewees who may suffer from memory loss...Read More
In this writing and oral history workshop, students experiment with a range of literary forms that use oral history as both source material and text. Monologues, oral narratives, documentary theater, and oral tone poetry are among the traditions already defined at the intersection of writing and oral history. We will explore these known traditions (and invent our own) alongside more obscure genres, dividing our days between discussions, writing exercises, screenings, select readings and optional workshop time. Oral history excels at complicating the narrative. How can we....Read More»»
The Art of the Interview: Oral History for Everyone, a one-night workshop
A collaboration between Hudson River Exchange and Oral History Summer School
Calling all audiophiles, artists, writers, family historians and the generally curious: During this three-hour workshop, we’ll cover the art of interviewing through interactive exercises and discussion, concluding with a multimedia presentation that surveys a wide range of work rooted in oral history principles/practice: sound installation, poetry, radio ballads, audio tours, museum exhibits, and podcasts. Participants will have a chance to.....Read More»»
For the first time, Oral History Summer School will bring the 8-day intensive to Chicago. Come all ye budding oral historians, radio documentarians, writers, filmmakers, media advocates, and photographers who wish to make of use of oral history in your practices. We'll be covering interview techniques, project design, and recording tutorials, with special sessions on ethics, trauma, advocacy and other topics related to the field. Participants will engage with the Studs Terkel Radio Archive along with other innovative projects and professionals. Days will be divided between mini-lectures, guest presentations, tech tutorials, field trips, and interview practice...
This workshop will address our instructors' common pursuit of ethical collaboration with narrators who may employ nontraditional communication styles. Workshop days will be divided between exercises, short talks, hands-on tutorials, listening sessions, project design, and interview practice. Participants will have an opportunity to collaborate with interviewees...Read More»»
This six-day hands-on workshop draws connections between song, speech, and memory. Days will be divided between talks, screenings, listening sessions, and field recording. Throughout, guest artists will join us as we pursue the motives and methods of song collectors, past and present-day....Read More
Come all ye budding oral historians, radio documentarians, writers, filmmakers, media advocates, and photographers who wish to make of use of oral history in your practices. This immersive summer workshop is a rigorous introduction to the field of Oral History. Over the course of eight days, we will cover interview techniques, project design, recording tutorials, and ethics, along with special topics related to the field...Read More
For those interested in bringing your oral histories to the airwaves, this five-day intensive workshop covers the fundamentals of radio storytelling, focusing...Read More
For many of us, family is the obvious—and sometimes most complicated—place to start our work as oral historians. In this workshop, participants will learn how to use oral history to document and preserve their family stories. We’ll discuss common challenges: convincing your family to participate, delving into sensitive subjects and secrets, and working with interviewees who may suffer from memory loss...Read More
This cross-disciplinary workshop will be useful for those at all stages of oral history-related projects who wish to work in dialogue with other makers. Students should come to this workshop with a sketch, dream or project-in-motion, which may be experimental or traditional in form. Examples of projects include: sound installation, radio documentary, public health studies, community archives, longform journalism, and more....Read More
For those interested in bringing your oral histories to the airwaves, this four-day intensive workshop covers the fundamentals of radio storytelling, focusing primarily on the editing process that occurs after you have collected your interviews...Read More
Come all ye budding oral historians, radio documentarians, writers, filmmakers, media advocates, and photographers who wish to make of use of oral history in your practices. This immersive summer workshop...Read More
For those interested in bringing your oral histories to the airwaves, this four-day intensive workshop covers the fundamentals of radio storytelling, focusing primarily on the editing process that occurs after you have collected your interviews...Read More
Participants will explore the complex nature of trauma and how it affects the shape and experience of survivors’ narratives. How might such narratives serve as testimony, documentation, persuasive media, intervention, or as an opportunity for the narrator to integrate an experience of trauma into his/her larger life history?..Read More
In this one-day intensive, filmmaker Laura Checkoway will discuss how she makes use of oral history in her documentary work. We’ll discuss camera angles, equipment choices, setup, ethical issues...Read More
Long-term preservation plans are an integral part of collecting oral histories. Even if you have plans for present-day use, people 100 years from now want to hear your interviews. In this two-day workshop...Read More
Come all ye budding oral historians, radio documentarians, writers, filmmakers, media advocates, and photographers who wish to make of use of oral history in your practices. This immersive summer workshop...Read More
Come all ye budding oral historians, radio documentarians, writers, filmmakers, media advocates, and photographers who wish to make of use of oral history in your practices. This immersive summer workshop is a rigorous introduction...Read More
This is part of Oral History Summer School's Let Us All Our Voices Raise sequence
Come all ye budding oral historians, radio documentarians, writers, filmmakers, media advocates, and photographers who wish to make of use of oral history in your practices. This immersive Hudson workshop is a rigorous introduction to the field of oral history. Over the course of 12 days, we’ll cover interview techniques, project design, and recording tutorials, plus sessions dedicated to ethics, trauma, advocacy, archives, and other related topics....Read More»»